Description
One does not always disappear all at once. Sometimes it happens from the outside in, so slowly that no one sees it — not even the one living through it.
Coming undone is the most intimate and most silent work in the entire series. The female figure seen from behind remains defined at her core — spine, nape, the line of her shoulders — while everything peripheral dissolves into gestural marks that float, disperse, and no longer belong to any recognizable form. There is no violence in that dissolution. No drama. It is exhaustion. The kind of exhaustion that arrives after resisting for too long.
No flowers. No branches. No networks. Only the body losing itself.
Expressive charcoal and Chinese ink wash on cool ivory ground. Eighth work of the DERIVA collection. Edition of 9 numbered copies. Giclée print on Hahnemühle Photo Rag 308 g/m².
Art Giclée Printing
Works reproduced with printing technology of 12 intense and natural colors
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